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・ The Security of Illusion
・ The Security Printing Corporation (Bangladesh) Ltd.
・ The Security Project
・ The Seducer
・ The Seduction
・ The Seduction (album)
・ The Seduction (film)
・ The Seduction of Almighty God by the Boy Priest Loftus in the Abbey of Calcetto, 1539
・ The Seduction of Claude Debussy
・ The Seduction of Ingmar Bergman
・ The Seduction of Joe Tynan
・ The Seduction of Mimi
・ The Seduction of Misty Mundae
・ The See What You Started Tour
・ The Seed
The Seed (2.0)
・ The Seed (novel)
・ The Seed and the Sower
・ The Seed Company
・ The Seed Is Mine
・ The Seed of Discord
・ The Seed of Earth
・ The Seed of Evil
・ The Seed of Yggdrasill - Deciphering the Hidden Messages in Old Norse Myths
・ The Seed Savers' Network
・ The Seedling Stars
・ The Seeds
・ The Seeds (album)
・ The Seeds of Death
・ The Seeds of Doom


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The Seed (2.0) : ウィキペディア英語版
The Seed (2.0)

"The Seed (2.0)" is the second single by The Roots from their fifth album ''Phrenology'' (2002). The track, which features Cody Chesnutt on the guitar and vocals, is an "uptempo retooling" of his song "The Seed" from the album ''The Headphone Masterpiece''.〔"(The Seed )". ''Billboard'' (April 5, 2003). Archived on Allbusiness.com. Accessed November 12, 2008.〕 The song's music video was nominated for the MTV2 Award at the 2003 MTV Video Music Awards.〔"(MTV Awards 2003: The winners )". BBC News (July 24, 2003). Accessed November 12, 2008.〕 Jeff Vrabel of ''Billboard'' described the track as "a genre-bending mix of rock guitars and Prince-styled keyboards and drums".〔Vrabel, Jeff (December 9, 2002). "(The Roots / Dec. 4, 2002 / House of Blues (Chicago) )". ''Billboard''. Accessed November 12, 2008.〕
==Music and reception==
"The Seed (2.0)" is a hybrid mix of "distorted rock, hip-hop and psychedelic soul".〔Petridis, Alexis (December 6, 2002). "(The Roots: Phrenology )". ''The Guardian''. Accessed November 13, 2008.〕 Brett Berliner of ''Stylus Magazine'' called the track "a rock song, featuring a little bit of funk and just a very little bit of hip-hop."〔Berliner, Brett (September 1, 2003). "(The Roots )". ''Stylus Magazine''. Accessed November 13, 2008.〕 The song was favorably received from music critics. Robert Christgau called it the album's "centerpiece", "2002's freshest roots rock track and jammingest avant rap track".〔Christgau, Robert (January 14, 2003). "(Escape Claus )". ''The Village Voice''. Accessed November 13, 2008.〕 Pitchfork Media editor Sam Chennault described the song as an "orgiastic garage funk number" and called it the album's "most immediately satisfying track".〔Chennault, Sam (January 29, 2003). "(Phrenology | Pitchfork )". Pitchfork Media. Accessed November 13, 2008.〕 In 2009, Pitchfork Media listed it at number 330 in "The Top 500 Tracks of the 2000s".〔"(The Top 500 Tracks of the 2000s: 500-201 )". Pitchfork Media (August 17, 2009). Accessed August 20, 2009.〕 ''Stylus Magazine''s Brett Berliner declared it the album's "best track" with its "catchy hook that stays with listeners for days".〔 In ''The A.V. Club''s 2002 top fifteen "Songs of the Year", Stephen Thompson listed the single at number nine.〔Thompson, Stephen (December 11, 2002). "(Best Albums of 2002 )". ''The A.V. Club''. Accessed November 13, 2008.〕 Jake Coyle of the Associated Press called it "one of the best rock songs of the decade".〔Coyle, Jake (February 20, 2009). "(The Roots Take Over "Late Night" )". NBC. Accessed May 27, 2009.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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